"The meeting of nyckelharpa and harpsichord is extraordinarily beautiful. Two delicate sounds get together and delightful music emerges. [...] Nyckelharpist Torbjörn Näsbom and harpsichordist Andreas Edlund find connections between swedish folk music and baroque music. Music by father and son Bach, Marin Marais and François Couperin, meets tunes by Eric Sahlström, polonaises (polskor) and marches.
The music is woven together, it is sometimes hard to hear what is what. But the most remarkable happens in Bach's G-major suite for cello, here played on the nyckelharpa. Enchanting, amazing how the nyckelharpa can measure up with the deeper sounding cello. The mighty gets delicate and ethereal, like leaf-birth and sparkling wine."
Mats Palmquist (our translation)
Lira Music Magazine, august 2007
The music is woven together, it is sometimes hard to hear what is what. But the most remarkable happens in Bach's G-major suite for cello, here played on the nyckelharpa. Enchanting, amazing how the nyckelharpa can measure up with the deeper sounding cello. The mighty gets delicate and ethereal, like leaf-birth and sparkling wine."
Mats Palmquist (our translation)
Lira Music Magazine, august 2007